Seventeen days and counting

So it's immediately obvious that this is a useful tool for creating an unconventional sock architecture, right?



I'd had a creative inspiration for sock architecture several months ago, but I never figured out quite how to work the heel. Last night while I was trying to fall asleep, I suddenly had an idea about how to go about solving the problem: mark up an actual sock! The house was dark and my husband was asleep already, but luckily there was a load of whites wrinkling in the dryer, so I fished out one of his white socks. Sadly, there wasn't one with an incipient hole, and I grudgingly admitted to myself that I ought not to draw all over a perfectly good one with a laundry marker. So I used double pointed needles to mark parallel lines to help me figure out where to place heel shaping elements. Then I stayed up way too late knitting on my prototype.

I'm taking (hopefully-- still waiting for confirmation) a class with Cat Bordhi in seventeen days, and I'd love to have this prototype completed to take with me to show off. I can't post a photo of the WIP because that might interfere with submitting the design for publication, but I'll share a closeup of the yarn knitted up because it's Ooh Pretty. It's a Claudia Hand Painted Oops, which is a shame because I'd be tempted to buy more of it.

The right tool for the job

Okay. It's time to break down and spend the money on a pair of sock blockers for photography purposes. How do I know? Because I just took a photo of a sock with a cheese grater inside it.



At least that photo turned out better than the one of a sock with the DVD remote control in it.

If you like the waffle texture on the non-ribboned portion of the cuffs, it's ridiculously easy: Knit 3 rounds, then work (K1, P1) rib on the 4th. The original pattern called for seed stitch, but that sounded like way to much purling.

Technical difficulties and things that are pink

When I tried to photograph my latest stockinette sock, I ran into a problem. The pictures turned out fuzzy.





I promise I've got the second sock on needles already. Casting it on immediately isn't a surefire cure for second sock syndrome, but at least it keeps me from using the right set of needles in some other project, stalling out the second sock indefinitely. In fact, there is a solo sock on my coffee table right now as a result of the last time I failed to segue directly to the second sock; I robbed the needles for the purple ankle socks instead.

At least I've managed to cast on a non-stockinette sock. It's a charity project; I plan to donate the finished pair for the local Race for the Cure raffle in the fall.



I'm using (by which I mean modifying) the Pink Ribbons: Breast Cancer Awareness Sock pattern by Lisa Lloyd, graciously distributed by her for free.

Two-pack

I've been in a stockinette sock slump again lately. This time I was carved into that rut so deeply that I made four matching socks. They're all knit from one 100-gram ball of sock yarn (Opal Cotton).


How did I know I had enough yarn left to knit a second pair of socks? I used my kitchen scale. I've got a good digital one that will measure in grams or ounces. When I finished the first pair, I popped the rest of the ball on the scale; since it still weighed 54 grams, I knew I had enough for a second pair. By the way, I would have run out of yarn if I hadn't made them fraternal quadruplets (they're not quite identical, since the subtle stripe pattern falls differently on each sock).

A postal scale will also do nicely, and if you don't own a scale, all you have to do is stop by a post office with a self-serve scale in the lobby.

Six of Hearts

I've finally managed to resuscitate my Great American Aran Afghan. In honor of Valentine's Day, may I present the recently-completed Barbara Selesnick square:



This is supposed to be one of the five easiest squares. Well, sure, if you knit exactly according to the pattern. But when I tried that, it was going to come out ridiculously short; if I added a fourth vertical repeat at that gauge, it would have been too tall.

I monkeyed around with several unsuccessful modifications, but in the end, I chose to add 4 rows of reverse stockinette to the center section before and after the heart motifs.

Fidgety business: I worked the garter borders on 51 stitches instead of 55. I increased four stitches in the last row of the border, then increased another four stitches in the process of beginning the first hearts (two stitches at the base of each motif, bringing the stitch count to the expected 59 and successfully avoiding cable splay.

By the way, here's Susan Rainey's interpretation of the Selesnick square with four pattern repeats.